UPCOMING AUDITIONS
Roald Dahl's Matilda The Musical
Monday, September 14th from 6:00 - 9:00pm
Thursday, September 17th from 6:00 - 9:00pm
Friday, September 18th from 6 - 7pm
Callbacks are scheduled for Friday, September 18th from 7:30 - 8:30pm
Director: Amanda Shepard
Notes from the Director:
Please prepare to sing 16 bars from a Broadway musical that shows your range, or a song from Roald Dahl's Matilda The Musical, or Do Re Mi from The Sound of Music.
Callbacks (by invitation only) are scheduled for Friday, September 18th from 7:30 - 8:30pm. If you aren't available for callbacks, you can submit a video by end of day Sunday, September 20th.
Kids invited to callbacks should be prepared to workshop the song Revolting Children. They will learn simple choreography for three counts of eight and sing the first refrain of the song (it repeats twice).
If auditioning for Bruce, they may be asked to sing the first bar of the song: "Woah!".
If auditioning for Matilda, you may be asked to sing the song Quiet.
Adults invited to callbacks will be informed what to prepare at that time.
Inspired by the twisted genius of Roald Dahl, the Tony Award-winning Roald Dahl's Matilda The Musical is the captivating masterpiece from the Royal Shakespeare Company that revels in the anarchy of childhood, the power of imagination and the inspiring story of a girl who dreams of a better life. With book by Dennis Kelly and original songs by Tim Minchin, Matilda has won 47 international awards and continues to thrill sold-out audiences of all ages around the world.
Matilda is a little girl with astonishing wit, intelligence and psychokinetic powers. She's unloved by her cruel parents but impresses her school teacher Miss Honey. During her first term at school, the two forge a bond as Miss Honey begins to recognize and appreciate Matilda's extraordinary personality. Matilda's school life isn't completely smooth sailing, however – the school's mean headmistress, Miss Trunchbull, hates children and just loves to punish those who don't abide by her rules. But Matilda has courage and cleverness in equal amounts, and could be the school pupils' saving grace!
Packed with high-energy dance numbers, catchy songs and an unforgettable star turn for a young actress, Matilda is a joyous girl power romp. Children and adults alike will be thrilled and delighted by the story of the special little girl with an extraordinary imagination.
CHARACTER DESCRIPTIONS
Matilda Wormwood
An imaginative girl who is clever and wise far beyond her years. She has a thirst for learning that cannot be quenched. Vocal range top: D5, Vocal range bottom: A3
Miss Honey
Matilda's kindhearted teacher. She is tired of living in fear under Miss Trunchbull. Vocal range top: D5, Vocal range bottom: F3
Mr. Wormwood
Matilda's uncaring father. A slimy, greedy used-car salesman. Vocal range top: A4, Vocal range bottom: D3
Mrs. Wormwood
Matilda's self-absorbed, negligent mother and an amateur ballroom dancer. Vocal range top: F5, Vocal range bottom: A3
Michael Wormwood
Matilda's older brother. He is not very bright and favored by their parents.
Bruce
Matilda's classmate. He is subject to extreme punishment by Miss Trunchbull. Vocal range top: E5, Vocal range bottom: C4
Lavender
Matilda's classmate and friend.
Mrs. Phelps
A nice librarian.
The Escapologist
A character in a story Matilda tells to Mrs. Phelps who comes to life in their imagination. Vocal range top: E4, Vocal range bottom: C3
The Acrobat
A character in a story Matilda tells to Mrs. Phelps who comes to life in their imagination. Vocal range top: A4, Vocal range bottom: D4
Rudolpho
Mrs. Wormwood's ballroom dance partner. Vocal range top: A4, Vocal range bottom: D#3
Doctor
Mrs. Wormwood's Doctor when she goes into labor with Matilda. Vocal range top: A4, Vocal range bottom: C3
Children’s Entertainer
A party entertainer at the start of the show. Vocal range top: Eb4, Vocal range bottom: F#3
Ensemble
Cook, Henchman 1, Henchman 2, Henchman 3, Kids (Amanda, Nigel, Eric, Alice, Hortensia, Tommy), Parents
MATILDA - SIDES
MATILDA:
I know where Nigel is, Miss Trunchbull. He’s over there under those coats. Where he’s been for the last hour actually. You see, unfortunately, Nigel suffers from the rare but chronic sleep disorder, narcolepsy. The condition is characterized by the sufferer experiencing bouts of chronic fatigue and falling suddenly asleep, often without knowing or any waning at all. You see he fell asleep and we put him in the coats for safety. He’ll probably think he’s in bed when he wakes up.
BRUCE:
Okay, look, alright, I stole the cake. And honestly I was really, definitely, sort of almost thinking
about owning up to it, maybe? But the thing was, I was having a lot of trouble with my belly. You see, the Trunchbull’s cake was so good that I’d scoffed it down too quick and now it was beginning to fight back. (His belly rumbles.) Ooops. See? (Rumble) (Pause) It was the biggest burp I had ever heard, the biggest burp I had ever heard about. It was like the entire world went silent for that burp to exist, as a huge cloud of chocolaty gas wafted from my mouth and drifted across the class past Lavender past Alice past Matilda and then my great big beautiful chocolaty burp, which now seemed to have a mind of its own, wafted full into the face of the Trunchbull.
LAVENDER:
Hello. I’m Lavender by the way. Matilda’s best friend. There’s a bit coming up that’s all about me. Well, not exactly about me, but I play a big part in it. But I’m not gonna say what happens because I don’t want to spoil it for you. (Pause) Alright, look, what I do is I volunteer to get the Trunchbull a jug of water. And then...not! I don’t want to tell you any more because I don’t want to ruin it! (Pause) Well on the way back I find a newt. A newt is like a really ugly lizard that lives in water, so I pick it up and - No! I will not say any more! (Pause) I’m going to put the newt in the Trunchbull’s jug! It’s going to be brilliant!
NIGEL:
Hide me! Someone poured a whole can of treacle onto Trunchbull’s chair! She sat down and when she got up her knickers stayed stuck to the seat! Someone told her I did it but I never did and now she’s after me! Oh Matilda... they say she’s going to put me in Chokey! They say it’s a cupboard in her office that she throws children into! They say she’s lined it with nails and spikes and bits of broken glass...please don’t tell her where I am.
MR. WORMWOOD:
I would like to offer an apology for some of the things that have been going on here
tonight. They are not nice things and they are not right things and I would like to state garrantorically that we do not want any children that might be here tonight watching this to go home and try these things out for themselves. I am of course talking about... reading books. It is not normal for kids to behave in this fashion, it stunts the brain, wears out the eyes, makes kids ugly, stinky, fatty, sweaty, batty, boring, gaseous and crucially, it gives them head lice of the soul.
MRS. WORMWOOD:
Escapologist he says! What about me then? I’ve got a whole house to look after, dinners don’t microwave themselves you know! If you’re an escapologist I must be an acrobat to balance that lot—the world’s greatest acrobat. I am off to bleach my roots and I shan’t be talking to you for the rest of the evening, you horrid little man!
MRS. PHELPS:
Matilda! What a pleasure to see you; here in the library again, are we? Your parents must be so proud to have a girl as clever as you. And do you tell them lots of stories like you do with me? Oh, I love your stories, Matilda. And that’s not a hint, by the way. But if you did happen to have a story you wanted to tell me…(looks hopefully)
MISS HONEY:
I’m not strong like you, Matilda. You see, my father died when I was young. Magnus was his name. He was very kind. But when he was gone, my aunt became my legal guardian. She was mean and cruel like you can hardly imagine. And then, when I got my job as a teacher, she presented me with a bill for looking after me all those years. She’d written everything down: every tea bag, every electricity bill, every tin of beans. And she made me sign a contract to pay her back every penny. She even produced a document that said my father had given her his entire house.
THE ESCAPOLOGIST:
Have I been so wrapped up in my grief for my wife that I have forgotten the one thing that mattered to us most? I love you so much, my daughter, I shall spend the rest of my life making it up to you. We shall be together forever. Don’t cry little girl, nothing can hurt you. You’ve nothing to fear; I am here.
SERGEI:
(With a Russian accent): You are the Wormwood daughter? The Wormwood is a stupid man. And being stupid he assumed I was stupid too. And that’s a very, very, stupid and rude thing to do. But you know this? At least there is one clever one in the family. What is your name little girl? I like you Matilda; you seem smart. Sadly, in my line of work I don’t often get to meet smart people like you. Most of the people I deal with, their thinking is all backwards.
THE AUDITION
When auditioning at the DCT, please bring the following:
Current headshot or recent photo
Current resume. If you do not have a resume, an information sheet will be available at the time of your audition for you to fill out.
Please come prepared to sing 16 bars from a Broadway musical that shows your range. A pianist will be available.
All children under the age of 16 should also be prepared to sing “Do, Re, Mi” from the Broadway musical, “The Sound of Music.”
If you elect to only audition with “Do, Re, Mi,” it is not required that you learn 16 bars from another Broadway musical.
SHOULD YOU BE CAST IN ONE OF OUR PRODUCTIONS
A rehearsal schedule will be issued on the first practice. Typically, we rehearse over a combination of two weekday evenings and one weekend day afternoon. During tech week (the last week prior to opening), it is mandatory that all company members be present at all rehearsals. This includes the Saturday to Saturday prior to the first performance.
Please note: The Wednesday of tech week is usually a “dark” rehearsal night for cast members.
TIPS FOR AUDITIONING
When auditioning with the DCT, remember to do the following:
Dress for the part! For example, if you want to try out for Cinderella, then don’t come to the audition in jeans and a cutoff t-shirt.
Stand still when on stage. Try not to shuffle your feet back and forth when you get to the stage.
Smile!
Keep your hands to your sides. Keeping your hands to your sides will allow you to stay focused and listen to instruction from the casting committee.
Learn from the experience and have fun by watching and listening other actors and the casting committee, you can improve!
Additional questions can be directed to
The Delaware Children’s Theatre
(302) 655-1014 | info@dechildrenstheatre.org